I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together.

So we should preserve it. I don't think that digital storage is necessarily a good thing, but I definitely think that digital manipulation is interesting.

Our live set's become increasingly complex recently; we've been doing stuff that's been vastly too much information for most people to deal with and I think it's quite interesting watching how people behave in those situations, under those circumstances.

It's incredible, but I think a lot of people it shot over their heads 'cause they're used to just getting images and messing around with them, and for us to do something quite so 'designed' was a bit of a shock.

I'm quite into the idea of engineering being beautiful.

It's claustrophobic, and I think it is to do with the amount that we're exposing people to one particular point.

The music industry over there seems to treat America like it's one territory even though they got offices in different parts of America - they're still quite sort of 'America is the territory.'

I'd rather be on a label that understands us and allows us to be a bit odd.

I've never seen America as being one place, but I think the record industry people I've spoken to - although they will acknowledge that the cities are completely different from each other - I think they still handle it as being one territory.

I don't particularly care how many records we sell any more because we've kind of bought all the equipment we want to buy.

I hate the idea of getting in a building that someone else has designed and having to do something to it yourself to sort of dress it up - it's like using presets in your tracks.

They've been brought up on the best music. It's gonna be so good.

We're quite into graphics that are simultaneously two- and three-dimensional. But I can't really elaborate any further because it's not something - we haven't really perfected it.

A lot of the Warp stuff has infected people's minds 'cause they're at the point where they can put tracks out, 'cause electronics are cheaper in America and kids are richer generally.

Working in the digital domain, you're using approximations of things; the actual sound wave never enters the equation. You deal with sections of it, and you're able to do so much more by just reducing the information to a finite amount.

It doesn't really exist; it's just basically lots of different stages between the two pieces, and you end up with, like, a third shape that doesn't exist but is suggested to you by the image.

We're more into sort of fluid structures that are simultaneously the most efficient, the most beautiful, and the most engineered. You know what I mean? We like the balance you can get in there.

We don't really talk about music that much, to be honest with you. It's not some I usually - I can't really talk about other people's tracks never mind my own.

I don't know whether I'm, like, jumping the gun but it's possible that in the future we may be able to use the information that we can't receive at the moment.

It's kind of like trying to make straight lines from curves, but involving shapes that sort of dictate what the curves are, if you like, and the difference between two separate pieces creates a third transitional piece if you like.

So when they come around and say they want to do our stuff in America, it's compliment really.

I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together.

It just comes down to taste at the end of the day, and that's something you can't really analyze. Yeah, I think to have it all there is basically best, regardless of whether there's hiss there as well.

A mate of mine said recently said a lot of stuff sounds like you're listening to it outside, but also like you're surrounded by it, and I think that's quite similar.

The Internet's kinda in danger of getting heart disease pretty soon, I think. Arteries are getting clogged.

There aren't many people who say that Europe is a territory, or Asia is a territory - it'd be suicide. And there are even more people in America than in Europe. I think it's strange, really. I basically see it as loads of different places.

I'm well into sort of Santiago Calatrava and people like that.

Im quite into the idea of engineering being beautiful.

I can remember the frustration of not being able to talk. I knew what I wanted to say, but I could not get the words out, so I would just scream.

What I try to do for my readers is to pass on some of the things that I found out about being thirteen after doing it for forty years.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

Young people discovering their sexuality must know they walk with a strong tradition and that they are not alone. They have a right to information without being pressured.

Being a publicist is like management in a lot of ways - you're their friend, you're their mother, you're their confidante.

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

It is too maddening. I've got to fly off, right now, to some devilish navy yard, three hours in a seasick steamer, and after being heartily sick, I'll have to speak three times, and then I'll be sick coming home. Still, who would not be sick for England?

I don't like being recognised, I have no interest in being famous at all, I just do what I do. If I could be like Captain Kirk and beam myself up and then beam myself down, I would!

I'm glad I'm not Brezhnev. Being the Russian leader in the Kremlin. You never know if someone's tape recording what you say.

Being a musician is what I do, but it's not what I am.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

We've had it very clear to the Bosnians that our obligation to equip and train their forces is completely conditional on the foreign forces being gone.

My parents were amazing people who had no business being together - and they knew it.

Teachers started recognizing me and praising me for being smart in science and that made me want to be even smarter in science!

Sure, I get the blues. But what I try to do, is apply joy to the blues, you know? I don't know if it's a technique, or just being bent that way, being raised by the folks I was raised by.

Kind thoughts are rarer than either kind words or deeds. They imply a great deal of thinking about others. This in itself is rare. But they also imply a great deal of thinking about others without the thoughts being criticisms. This is rarer still.

The judge turned his back towards me, sitting back on his judge's chair, while I was in the witness stand being questioned. The whole courtroom was full of these anarchists, leftists, communists and Jewish lobbyists.

For me, being in front of the camera and training go hand in hand.

I define success as being comfortable with yourself and your life. And that is about as good as it gets, really.