In general, I don't feel artists should need producers.

We tune down a full step when we play but I never miss a note. I've learned how to keep my voice.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

God would have to beam into me what I was doing and what the album actually sounded like because usually when I start a project like that, I already know what the album sounds like before I start it.

Good records - from my point of view, where I grew up which was Led Zeppelin and Jethro Tull... bands that were pushing the envelope a little - musically and in production.

I could play everything but could never take a lead. My brain just doesn't work like that.

To actually put the time and energy into an album that would be better than Pull would be a hell of a lot of work, because I took that band really seriously, way more seriously than people took us. If you go back and listen to the records, you can hear it.

The songs were really complicated. I used to meet people in bar bands who were trying to play our songs and they were really struggling with it. Technically it was really difficult stuff.

It's like, on my solo stuff, every single person who buys the record, gets it. On the other stuff, the masses... when you have a hit on the radio, not everyone's going to get it. They are going to buy it for the hit.

I was just going more for what I've always been influenced by, European music.

A producer should only be there to enable an artist to be himself.

I'm a child of the 70's; influenced mostly by albums that had a wide variety of style.

I wouldn't do just a tour, it would have to be an album, and the album would have to beat Pull.

In general, I don't feel artists should need producers.

Throughout the years I have tried to hone my skills to gain mastery over the music in my head.

The main thing is that I've been studying composition for the last four years. I'd say it's the life experience combined with the lessons that enabled me to go much further.

I think it's important to know your limitations too.

Rock stardom and all that stuff like that was never like my main M.O., my main M.O. is musical growth, and if I become a rock star in the process, great!

We were lumped into the Lite Metal radio bands.

I'm not financially insecure anymore either so I don't have to sit there and get on the latest Poison tour just to make money, which is what a lot of them are doing.

I've studied voice from a few different people for years.

As a musician, basically the masses never thought I was a musician.

I'd like to tour, but again, to tour my music now would take a bigger band.

I was really into Black Sabbath, but heavy guitars can really be very limiting, it's a great frequency and it's great fun to listen to but on the other hand, musically you can do a lot more without it.

It's a little bit more like I want to give this to the people that are really into it first - I don't have a lot of desire to be like Bon Jovi or something like that, I really want to concentrate on the music.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.

Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think.

Artists are like everybody else.

When artists make art, they shouldn't question whether it is permissible to do one thing or another.

My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Lesser artists borrow, great artists steal.

I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.

I want to run for the Senate from Tennessee. Not now, but when I'm 50, when music dies down a little bit. I know lots of artists and actors have those delusions of grandeur, but ever since I was a kid, it's been of interest to me.

Let's look at people as artists and try to support them; just because Picasso painted a couple of bad paintings, that's no reason to say he's a lousy painter.

Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.

Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.